Calle Real

Straight out of Stockhom, Sweden, comes a hard-hitting pure timba band called Calle Real and brotha' they are for Real. With arrangements that are tight with big tension and big release, this explosive band takes the genre and runs with it further proof, in case you need it, that timba is now firmly rooted in the worldwide musical vernacular. Undeniably rooted in Cuba, but beyond that, it is impossible to tell if this stuff was brewed on the island or Sweden or Jersey City. And it don' matter, mon. It's great stuff that simply rocks the house: vital and fresh. Con Fuerza is, dare I say, one of the most Timba of recent timba releases: it's Timba-dura. Listen to the wall crushing "Rompiendo Murallas." Superb vocals by Thomas Sebastian Eby.

Highly Recommended. (Descarga.com/BP, 2006-04-17)

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Song

1. Somos Calle Real

1. Somos Calle Real

Somos Calle Real sets the mood for the CD. It is a serious dance song in which the band introduces themselves to what they know is a skeptical audience that doesn't know what to expect from Swedish Timba.
Ahí con fuerza vamos, ahí con fuerza sí Seguimos por la calle, real es lo que somos el mundo no sabe na’
(by Michelle White/timba.com 2006) Price: 1 USD

2. El momento

2. El momento

As with all good timba, the songs don't have to be fast to be good. The intensity comes from the tension created in the rhythms or from changes in tempo, not from speed itself. El Momento and La Rosa are two favorites songs despite being slower. The tumbao at the beginning of El Momento and the studio version of the song includes viola, violin and cello, which enriches the orchestration. (by Michelle White/timba.com 2006) Price: 1 USD

3. Esperanza

3. Esperanza

Even though I feel blasted by love, I walk down the streets with great hope. Esperanza starts with some heavy synth and bass, respectively, followed by great tumbaos and slows down a bit during the cuerpo. Price: 1 USD

4. Rompiendo murallas

4. Rompiendo murallas

The brickwall bulldozer song.
Rompiendo Murallas starts with some heavy synth and bass, respectively, also followed by a great tumbao. Rompiendo Murallas is in your face from start to finish:
”Mira como todo está, de pies para arriba Nada no funciona más, parece una mentira Las cosas se desvanecen y tienen un mal sonido La mierda llueve mil veces y todo es olvido” Price: 1 USD

5. Rumba de la Calle

5. Rumba de la Calle

This track was recorded in downtown Stockholm and is sort of a spin off from the former song Rompiendo murallas where the coro ”Miles razones pa’ no descansar” interchanges with improvisations from Horacio Rodriguez. Price: 1 USD

6. Soy bueno, soy malo (La Rosa)

6. Soy bueno, soy malo (La Rosa)

I really enjoy the lyrics to La Rosa and the song includes another unusual feature: a d'angelo choir, not exactly standard in Timba, but it works. It is another favorite among my friends.
”Mami no me critiques porque tú sabes que
La rosa tiene sus espinas, igual que yo
Y si soy bueno, tambien soy malo,
Las ambas cosas las tengo yo”
(by Michelle White/timba.com 2006) Price: 1 USD

7. El beso

7. El beso

El Beso (also called La Rana by fans), is another favorite among dancers. And the lyrics are amusing, but the guys refuse to answer whether the song is based on any real-life situation. The idea can be summed up in these lines:
”En los cuentos la princesa besa una rana
La cual se transforma en un príncipe por la mañana
Pero en la realidad el príncipe besa una doncella
Y ella se vuelve en una rana, se parece a ti mi bella”
(by Michelle White/timba.com 2006) Price: 1 USD

8. Amor tal vez perdido

8. Amor tal vez perdido

Amor Tal Vez Perdido is the hardest to dance to because it has a 1:30 ballad introduction. After that it picks up for dancing, but it probably won't work at clubs. It's better for home or for concerts.
(by Michelle White/timba.com 2006) Price: 1 USD

9. Dime que me quieres

9. Dime que me quieres

I find Dime Que Me Quieres to be the most pop of all the songs. It is only 3:52 minutes and makes use of some electronic effects on the tres and the coros. Normally when timberos talk about songs being timba/pop it is a negative thing, but in this case I like it. It's good for dancing and I think may have a greater potential in "mixed" audiences. I find it to be kind of sexy. I enjoy it, but would have liked it to be a little longer.
(by Michelle White/timba.com 2006) Price: 1 USD

10. Princesa (Timba)

10. Princesa (Timba)

Princesa is the first single and video from the CD, and has been popular with audiences in Europe as well as Miami. It is a song about ladies who make the choice of taking the easy way out of a tough situation by selling themselves to maintain their lifestyle. At about 3:00 minutes the tempo suddenly drops in a manner that brings Charanga Habanera's Lola Lola to mind, then it picks up again after 15 seconds. I recommend this song to DJs who are presenting the CD to a timba audience for the first time. They won't have a problem dancing to the tempo changes.
(by Michelle White/timba.com 2006)

This song has also been remixed by Masse/Redline Records into a reggaeton version.
Due to an earlier misstake tan earlier version of he song Princesa has been distributed on the net under the name of Timba, entering the Top US Latin Chart. Price: 1 USD

Album

Con Fuerza

Con Fuerza

CALLE REAL
ANDREAS UNGE - BASS
CEZARY TOMASZEWSKI - TROMBONE
GUNNAR THULLBERG - PIANO, KEYBOARDS, GUITAR HARRY
WALLIN - TIMBALES, DRUMS JACEK ONUSZKIEWICZ - TRUMPET
KARL FRID - TROMBONE, G†IRO, COROS
PATRICIO SOBRADO - TRES, COROS, BAND LEADER
PETTER LINDE - TRUMPET
RICKARD VALDƒS - TIMBALES, CONGAS, CLAVE, CAMPANA
THOMAS SEBASTIAN EBY - LEAD VOCALS, COROS, CONGAS, BONGOS

AMIGOS INVITADOS:
LESMER SOLENZAR - COROS (EXCEPT 4, 5, 9, 12)
MAGNUS ALMQVIST - BONGOS (3, 7, 8) SALIDOR (5)
MILADYS EHRENBORG PEDROSO - COROS (4) MAGNUS EHRENBORG - COROS (4)
ROBERT ELOVSSON - SYNTH, WURLIZER (1, 3, 6, 8)
JULIA BARV - FEMALE VOICE (2, 3)
MELO - BACKING VOCALS (6)
CAROLINE SCHR…DER - COROS (12)
LENA AMALIA - COROS (12)
LILIANA ZAVALA - TRES/DOS, COROS (5)
LUNA ZAVALA ALMQVIST - MIC ASSISTANT (5)
HORACIO RODRêGUEZ NAVARRETE - LEAD VOCALS, CAMPANA (5)
MAX ALTON - CATç (5)
PER HENRIK WALLIN - GRAND PIANO (8)
GUNNAR BERGSTEN - FLUTE (10)
LOWCURA - RAP (9)
NANG SHUBANG AKA NATTY SILVER – TOAST (2)
STRINGS: EMILIO ESTRADA - VIOLIN (1, 2, 6)
CLAUDIA BONFIGLIOLI - VIOLIN (2, 6)
GUNILLA BIRKEDAL LINBOG - VIOLA (2, 6)
LEO SVENSSON - CELLO (2, 6)
ALL ARRANGEMENTS BY CALLE REAL
HORN ARRANGEMENTS (3, 4, 6, 7, 9, 10, 11) BY PETTER LINDE
HORN ARRANGEMENTS (1, 2, 3, 8, 9) BY KARL FRID
STRING ARRANGEMENT (1) BY EMILIO ESTRADA
STRING ARRANGEMENT (2) BY KARL FRID
STRING ARRANGEMENT (6) BY HENRIK LINDSTRAND

MIXED BY OLLIE OLSSON AND HENRIK EDENHED AT COSMOS STUDIOS ART DIRECTION AND DESIGN BY JOHNJOHN PHOTOS BY PYSSE HOLMBERG ADDITIONAL PHOTOS BY ROBERT EDMAN/DANCEPIX.NET AND PER KRISTIANSEN MASTERED BY HENRIK JONSSON AT MASTERS OF AUDIO PUBLISHED BY CALLE REAL PRODUCTIONS HB. THE RECORD CONTAINS SAMPLES FROM “SPELPLATS CUBA”

KICKI RUNDGREN. PUBLISHED BY COLDSON FILM. USED BY PERMISSION. ALL RIGHTS RESERVED. PRODUCED BY CALLE REAL PRODUCTION HB AND SALLA AT REDLINE RECORDS HB Oms-bookletv4.indd 7 06-01-18 18.17.07 Price: 10 USD